VARIOUS STUDIES

May 68 Pavé 1060 – parallel murmur 2011

Pavement 1060 – Parallel Whisper One day, I was torn from the ground, thrown like a stone prayer. I was raw, free, revolutionary. Today, I am polished, exposed, placed on a bed of golden sand in the smooth setting of Carrara marble. I have been cut, set, numbered. I have become rare, precious, a profitable relic. Once a cry from the street, now I am a gallery treasure. I shine, yes, but with the reflection of an era that has sold out its utopias. Marble resists, diamonds attract, and I wait: an official work of art, I am ready to be acquired. For even revolt, today, is collectible.

double Christ on the cross ________productivity gain ........2012

Productivity Gains, a double Christ on the cross. In the name of the Father, the Son, and above all, Profit. With this work, Rosenstein revisits the crucifixion with a neoliberal twist: two Christs crucified together to save wood, maximize suffering, and double divine yield. The absurd and the sacred merge in a scathing critique of the contemporary cult of economic performance. Because even eternal salvation must now be profitable, quantifiable, and above all, optimized to the max.

TIK brand derivative product disposable 2-blade guillotine 2011

Guillotine with Two Disposable Blades Rosenstein has here designed the ultimate tool for management by decapitation: two blades, zero maintenance, maximum efficiency. Designed to meet the demands of a world where even disposal must be profitable, the disposable guillotine symbolizes the industrial dream: efficiency, cleanliness, pace. Cut, replace, start again. No need for revolt or lawsuits, just a good budget and stocks. Justice becomes logistics, the head an adjustment variable. And while it's cutting, the numbers climb.

FUNERAL URN, in glass paste 2015

Funeral Urn Dildo Raw Version – Penetrable Love “He loved her too much to leave, so she kept it. In powder. In a dildo. Every night, she takes it back: Monsieur returns, discreet, docile, reduced to the essentials. No need to speak, nor to love. Here Rosenstein sculpts modern, post-mortem love: a silence that vibrates, a battery-powered mourning, a penetrable eternity.” Funeral Urn Dildo – Parallel Murmur Poetic Version – The Caressed Shadow “She inserts it as one recites a prayer. Each gesture is memory, each vibration, a souvenir. The body is no more, but it still inhabits the forms. This dildo is not an affront: it is a widow who speaks to the shadow. A caress in the void, a love that one does not throw away, even reduced to dust.”

earth studies

research and application